The journey towards one of South Africa’s most anticipated electronic releases began with a powerful open call. Lady of the House invited women and non-binary producers from across the country to submit the sounds that move them — and the response was overwhelming. What followed was months of discovery, ambition, craft and identity, culminating in the Lady of the House South African Winners Compilation, officially available now.
This compilation marks the first South African chapter of a growing global movement dedicated to breaking barriers and redefining electronic music through inclusivity. Rather than crowning a single winner, the initiative selected three standout artists, each offering a unique sonic story that reflects South Africa’s layered and evolving dance music landscape.
The three winners — Queen Leshka, Lu-Zer and Sharm Pillay — were chosen after months of adjudication by an esteemed panel of Godmothers and mentors, including Gigi Lamayne, Shamiso, Namakau Star, and dance music legend Tamara Dey. Their guidance and commitment to championing authentic African voices shaped the spirit of the contest, hosted in partnership with Jägermeister’s Save The Night initiative and supported by global platforms such as Pete Tong DJ Academy, Beatport, TribeXR, Gray Area and Drumsheds.
Each artist expands the boundaries of South African electronic music in their own way. OK Mzansi Magazine spoke to Queen Leshka about the experience.
1. Congratulations on being selected as one of the winners of the Lady of the House South Africa Edition! What does this achievement mean to you on a personal and artistic level?
Being selected as one of the winners of Lady of the House South Africa Edition is a huge personal and artistic milestone. It validates my hard work and passion for music production.
2. Your winning track contributes to the unique identity of the Winners Compilation. Can you tell us about the inspiration and story behind your submission?
My winning track, “Soul Train”, is a warm and soulful Amapiano offering that blends electronic traditions with African rhythms. It’s about movement, connection, and the joy of dance.
3. The programme included mentorship from respected industry figures such as Gigi Lamayne and Tamara Dey. What was the most valuable insight you gained during the adjudication and development process?
Working with mentors like Gigi LaMayne and Tamara Dey was incredible. They emphasised authenticity and emotional truth in music, helping me refine my sound.
4. Lady of the House is deeply rooted in empowering women and non-binary producers. How has representation — or the lack of it — shaped your journey in the electronic music space so far?
Lady of the House has been a game-changer for women and non-binary producers. Seeing more women in the industry inspires me to keep pushing boundaries.
5. How would you describe your sound, and what makes it stand out within South Africa’s rapidly evolving electronic and dance music landscape?
I describe my sound as a fusion of Amapiano with global electronic influences. It’s unique, energetic, and rooted in South African culture.
6. Creative projects often come with challenges. What was the biggest challenge you faced while working on your final track, and how did you overcome it?
My biggest challenge was balancing creativity with technical perfection. I overcame it by trusting my instincts and focusing on the story I wanted to tell.
7. The Winners Compilation will be showcased on international platforms through partners like Beatport and Pete Tong DJ Academy. How do you feel about your work reaching a global audience?
I’m thrilled my work will reach international audiences. It’s an honour to represent South Africa’s electronic music scene globally.
8. What new opportunities, collaborations, or directions do you hope this milestone will open for you in your career?
This milestone opens doors to collaborations, performances, and new creative projects. I’m excited to explore these opportunities and grow as an artist.
9. What message or feeling do you hope listeners take away when they hear your track for the first time?
I hope listeners feel the energy and joy of “Soul Train”. It’s about connection, movement, and letting go.
10. Finally, what advice would you give to other women and non-binary creatives who are considering submitting to future editions of Lady of the House or entering the electronic music industry in general?
Believe in yourself and your music. Don’t be afraid to take risks and push boundaries. Your unique voice matters.
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