South Africans have grown accustomed to the presence of a local artist who goes by the name Rasta, also known as Lebani Thaka David Sirenje. He has carved a niche for himself as one of the nation’s most renowned artists celebrated for his distinctive portraits of local celebrities and dignitaries. In recent days, Rasta has garnered attention once again, this time paying tribute to the late business magnate Raymond Ackerman.
Raymond Ackerman, a luminary in the business world, passed away on September 6th at the age of 92. Leaving behind a legacy that has had a profound impact on the South African retail industry.
Rasta’s dedication to his craft is unwavering, despite enduring criticism and ridicule for some of his previous works. He possesses an unyielding determination to immortalize individuals he deems deserving of his artistic expression, regardless of the naysayers.
In his latest endeavor, Rasta turned his creative talents towards honoring the memory of Raymond Ackerman, the visionary founder of Pick n Pay. Hence, Ackerman’s life and contributions to the retail sector served as the inspiration for Rasta’s heartfelt tribute. Taking to his favored platform, Twitter, Rasta shared images of his latest creation with a poignant caption that read:
“In loving memory of Raymond Ackerman, businessman, entrepreneur of retail. Condolences to family and @PicknPay team all over.”
As is often the case, Rasta’s artwork elicited a diverse range of reactions from the public. Some failed to discern the artistic essence of his portrayal, leading to both critical and humorous comments. One observer commented, “That’s not Raymond Ackerman. This guy is really taking chances. Ask him to draw Mangosuthu Buthelezi; I want to see something.” Another added, “Rasta has issues with Raymond Ackerman, clearly.”
This latest incident is by no means Rasta’s inaugural encounter with artistic controversy. In the previous month, he ventured to immortalize the viral sensation known as the Albany Bread girl, Lethuthukhanya Mjaji, only to find himself subjected to nationwide amusement.
Yet, Rasta remains steadfast in his artistic pursuit, his spirit unbroken by the jests and jeers. In a prior interview with The South African, he expressed his imperviousness to criticism, asserting, “I have gained many fans over the years. I’m happy about it; it makes me feel appreciated. When it comes to the critics, whether or not they like my art, it’s up to them.”
In this manner, Rasta persists in his artistic journey, paying homage to influential figures and leaving his indelible mark on the canvas of South African culture. Regardless of the reception his work may receive.
